Monday, April 20, 2009

IN CASE YOU MISSED IT: new Sony Notebook - comics reader?

Apparently it’s reallyyyy slow, and yeah, it’s like $900 dollars… otherwise the new 8" screen Sony Netbook looks awfully close to the killer comic reading machine!
Watch the AOTS vid, or check out their notes on it HERE

Darn!

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Monday, March 30, 2009

Comic Book Indsustry State of the Union 2

Well, I've always focused on the bigger picture of the comic industry here, first, as a publisher/creator working in the direct market it's obviously on my radar, and second, because I've known for years that we were at a crossroads in the US industry. Now it seems, keeping tabs on the pulse of the industry is a daily occurrence, so here's another roundup of news items relating to our changing times...

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First we have a new feature on The Beat, adding an independent publisher roundup to their monthly tallies of comic shops sales, based off the Diamond top 300 books.
Very interesting to get a coherent rundown of all the indie books making the list.
Check it out HERE

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Next, also courtesy of a link from The Beat, Todd Allen explores a doomsday scenario, where the direct market, if things play out poorly, could collapse altogether (and hey, that's not too far fetched... I've always said, digital will reach a tipping point when either A) there's a reader device current fans embrace, or B) when one of the large publishers (Marvel or DC) decide to switch to a digital model, of which the latter could occur at any time).
Check out part one HERE

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Then, hop over to Newsarama for a couple different articles on digital comics...
First, a poll on what readers think is the best price model for digital HERE
and second, they take a look at the new software update for the iPhone, and it's implications for comics HERE

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And finally, there's the news that DC plans to start shifting pricing on it's books to $3.99 (to match Marvels recent-ish moves of the same), and also some rumblings of continued price increases for Diamond UK, that were on-again, off-again (see Lying In the Gutters), that could've had a big impact on the UK market.

Tune in next week dear readers for what I'm sure will be more developments...

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Wednesday, March 18, 2009

Comic Book Indsustry State of the Union

We all wish we could say it's stong, but just like everything else, it's in turmoil. From rising prices, to key changes to distribution, the weak economy, and the crossroads in format, there's a lot going on in the comics industry right now... Here are a rundown of some news and notes:

Perhaps the biggest development currently, are the changes at Diamond Distribution, increasing sales thresholds and potentially driving away a good percentage of independent offerings, and the fallout from those changes.

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Two potential distribution options are attempting to fill the void this move will create, since idependent comic sales were already in turmoil.

- First, is Haven Distribution, a company in existence for about a year, that took over for the former Coldcut backlist distributor. Haven announced their arrival, relocation of operations to Chicago from California, and abolishment of the "no superheroes" policy, and then pretty much faded away (or at least went to work behind the scenes, and/or under the radar). However, with the move at Diamond, their virtual only rival, Haven is at least attempting to make a play to capture more of the independent market, by now offering advance order material as well.

As an independent publisher myself, I can share some insight here.

When I started out self-publishing in late 2005, there were then 3 distribution options, Diamond, ColdCut, and FM International (at least on paper, Coldcut and FM were very small by comparison). Within six months of publishing my first book, and attempting to get setu up with FM International, having met a couple of the key players there at Comic-Con, FM closed up shop, and I was quickly down to 2 options. Having already setup my book Super Real with Diamond, that only left Cold Cut as another avenue of distribution. However, they only took previosly released, or backlist material, so after sending samples in once I had some books published, twice, and never receiving a response, they eventually folded up in late 2007, early 2008, and then became Haven Distribution. (I don't know if I was just a victim of their policy for not carrying "superhero" material, or a symptom of their decline.)

Once Haven was established, I'd also contacted them via the publisher contact area of their website, with no response. Fast forward quite a few months and I try again, upon publising some more product, and do get a response this time. Actaully from someone I know and used to work with at a comic website, who was a reviewer, and bit of a fan of my book. But I'm informed that they're not currently accepting any new product, until November. So I check back in November and am told that unfortunately things are still on hold, and that it's now looking like January before they'll open up again. Of course when January rolls around, the game has changed, and Diamond has announced their changes in policy. So Haven is accepting new material, and also scrambling to take advantage of the new landscape, by also offering preorders or adavance product solicitations.

I'm currently working with them, and am hopefull that they can build another outlet to the direct market for independent material. They have a catalog system of sorts in place, that is a bit promising, if retailers and the market will embrace it and be able to utilize it in addition to Diamond. Those are some pretty big questions though. Certainly some marketing on thier part, and/or independent publishers listed by them, is key to help spread the word, and grease the skids.

There are of course many other hurdles, so time will tell.

Along the lines of getting the word out though, I will talk at more length about Haven and their product catalog, Comics! in the near future. Suffice it say, they plan to have a new catalog out this May.

- Second, is Ka-Blam.com, a POD (print on demand) printer. POD printing is an affordable option for digital printing of comics, where by leveraging technology, a creator can print small quanties of a book, from as little as a single copy, for the same mostly affordable price. POD printers are widely used to supplement web content, or for direct sales at conventions and online. They are not vialbe as a mass market solution, as although the costs are reasonable, they are not low enough, nor do they lower, when print at higher quantities. This has been the main hurdle to utilizing POD technology to offer products to retailers, as retailers buy at wholesale pricing, which is only a fraction of the cover/retail price of a product. The average cost to print a standard sized black and white book via POD is around the $2 range, or $3 range for full color, so you can see, the margains are pretty small, and thus only work for direct sales from the creator/publisher to the reader/fan.

However, as with Haven, Diamond's change in policies has brought about a change to Ka-Blams's services as well, with their announced Comics Monkey POD distribution service.

Without going into too much detail, Ka-Blam is looking to offer any content they print, to comic book shops, via a new pricing model, where they still take their standard cut via printing fees, but then offer product to retailers at discount (starting at 60% of retail), and a small cut to creators/publishers of the sales. And "small cut" is the key here, as I mentioned before, with POD costs being what they are, they're not really condusive to wholesale pricing, at least in line with the current direct market price model, so instead of finding a way to lower their costs and share percentages with publishers more in line with what they'd find from full run printing and distribution, Ka-Blam is offering 10% of the retail to the publisher.

I'm not suggesting Ka-Blam is short changing the creator in any way here, they're simply trying ot make the POD model work on a wholesale level, and these are the first efforts of this kind. So, they're moving forward while admittedly breaking new ground, and trying to find what works for all parties involved. Not the least of which is the reader, because if you simply raise cover prices to offset the difference in cost associated with the POD model vs standard comic distribution, the cover prices could climb steeply. It's a new way of looking at print sales, that also has a completely new set of challenges.


So, between the two, there are efforts already in place to improve direct market independent comics distribution. But, it's very early, and hard to tell how any of it will play out.
Or, I think, more to the point, if anything can even be done at this point to salvage independent print comics as we knew them, most certainly digital is the future, and increasingly more so by the day. So, is there enough demand, and/or time before the paradigm shift, to maintain a print market? Or are we already past the tipping point?
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Now, here are some links on related stories:

- Steven Grant notices that independent comic sales are growing, not trending down... at least direct con sales that is... in his column HERE

- Tim Seeley ask questions about how to make comics cheaper, but doesn't find many answers over on CBR HERE

- The Beat highlights some Kindle comics play HERE
(And don't forget, Amazon has partnered with Apple to offer a Kindle app on Iphones)

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Wednesday, February 25, 2009

Comic Book Crossroads: DIGITAL COMICS

Okay, I took a two week vacation, and have been in uber busy mode since my return getting ready for this weekend's Wondercon, and the 2009 con season, but here are some links, and thoughts on the ever evolving comic-book-crossroads that we are increasingly in...


A brazen recent article on Uclick and comics for the iPhone HERE
Where they posit that the future is now, and it is comics on a 3.5" screen!?!


Next up, Newsarama talking with a Ka-Blam.com guru regarding their escalated effort at direct market POD distribution HERE
Ka-Blam is tops in POD comic book printing in my book, and I've used there service exclusively for years now. They've had the Indy Planet online store all along, and just as with ComixPress' similar effort, they don't move much product outside webcomic hits.
I'm not sure how A) they can make POD print distribution viable to the creator/publisher, when POD costs are already such that margins are very tight at full price direct selling, they must plan to offer a decrease in cost to make a wholesale scale feasible... and B) like Haven, I'm not sure how well an infinite catalog can translate to direct market shops, when they have a hard enough time servicing the sizable content via Diamond, under their old thresholds.
Sure it's an option, and will work for some, but it seems a tricky path overall to me...


Then we have a more detailed viewpoint on the changes at Diamond from The Comics Reporter, and a myriad of reasons it's likely more harmful and short sighted than earnest HERE
Certainly the speculation of Geppi and his other business woes, outside Diamond, play a part in the overall picture and decisions to more aggressively manage the direct market's lesser channels.
If nothing else, the direct market landscape has changed, and the comic book crossroads might take a sharp turn at this point in history...



DIGITAL COMICS - Kindle2

Released by Amazon.com this week, the Kindle2 is the next step in ereader technology.

It's light, paper thin (just over 1/3 inch), backlit, glare proof, PDF and JPG supportive (but not CBZ). The Kindle 2, with it's new 16 shade gray scale being the main improvement, is not that far beyond the existing technology, but it begs the question, how far are we from a full color e-reader?

The overall size is roughly 8.5" tall by 5.5" wide, or ash can comic size (half an8.5.11" sheet), with a 6" diagonal screen (at 600 x 800 pixel resolution).

The iPhone's screen by comparison is a mere 3.5" diagonal widescreen (480 x 320 pixel resolution)

All with a price tag of $360.

Sure it downloads, browses, and streams music too, but at that price, you'd think the content was cheaper. As a book reader, the standard price is $9.99, hardly a bargain. At this value, I don't see the Kindle2 proliferating the market to the extent of the iPhone, and thus, don't see any huge potential shift in comic content to the platform.

Here are specs for the Kindle2 vs different reader options out there:

Kindle2
$360
6" diagonal display (600 x 800 167ppi pixel resolution / 3.6"(W) × 4.8"(H))
8" x 5.3" x 0.36" size
10.2 oz
16 levels of gray
PDF and JPG support
2GB internal memory


Sony eReader (PRS-700)
~$300
6" display (600 x 800 170ppi pixel resolution)
5 1/9 x 6 7/9 x 0.4" size
10 oz
8 levels of gray
PDF and JPG support
512MB internal memory
up to 32GB external plug in memory


iPhone (3G)
$
3.5" (diag widescreen) display (480 x 320 163ppi pixel resolution)
4.5 x 2.4 x 0.48 size
4.7 oz
full color
8GB or 16GB flash drive
up to 7 hours video playback


So yeah, ideally, we could use a slightly larger screen for comic page display (just as comic books are larger in size than a paperback), and of course, full color.

The Kindle 2 gets us a step closer to that ideal format, but perhaps now, to a workable mid ground. Because if content providers are making a go of comics on the comparatively tiny, yet full color, iPhone screen, a rich gray scale display in twice the size should be usable too. At least until we get the full size and color reader we're looking for.

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